Delivery of masks and costumes to the New Building





Entrance to the barn stage in the New Building





The Kitchen show in the barn stage





A detail that touched me the most was the puppet’s eyes. They were made to appear shut or sleepy throughout the show and only when she liberates herself with what she realises, she flies, hovering over the audience. Then I saw that her eyes were now open. A tiny, yet powerful image of the magic of movement and perspective.





The New Building




The main stage









The World Can’t Wait Dances





The power of this war dance is beyond words and photographs convey only so little.

















The Garden Society interludes of Hope in face of despair of the dances of war.









We all collaborate in our own demise and in shedding and wiping of tears.







On torture











The friendly Garden Society again





“Construction” workers keep “posting” the signs and announcements





Audience in horror.





O’ Fortuna! The power of violence





The arms of the Law: one points, the other commiserates





The powers that force us on our knees





Or at the execution wall





Resisting for space





The process of demarcation













“Construction” workers at work again







When you don’t resist, it all gets shoved down your throat





The Angel, the Revolutionary, the Visionary, the Resistance dances out to be among the abused





The Angel dances to face the Monster





The Encounter





The Angel sacrifices her wings





The Dance of the emboldened Monster



The Encounter



















Public cleaners





Gardens (I like to think of it as Nature and not human engineering)







The Dance on Silence





Hung







The scream. Then sweep away the shattered lies

















And out we swept it all!





The performers